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The down and out California Angels are so bad, one dysfunctional family even begins to compare their own tragedies with this baseball team. When 11-year-old foster child, Roger, hears his drifter Dad sardonically compare the two -- that the chances of reuniting the family are as good as the Angels winning the pennant -- Roger takes it as a promise and the truth. That night, he prays for the Angel's success, and in response, a star winks back at him with promises of baseballs faster than the speed of light and players able to leap tall buildings for a single catch.DVD Features:Region 1Keep CaseWidescreenAudio: Dolby Digital 5.1 - EnglishInteractive Features: Interactive Menus Scene Selection
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Basketball star-rapper Shaquille O'Neal flexes his little explored comic muscle in this MVP COMEDY ROAST. Some of the most hilarious mouths in the business join up to salute the incredibly tall and talented ball player, including Steve Harvey, Joe Torry, Cedric the Entertainer, D.L. Hughley, Bill Bellamy, Dick Gregory, and others.DVD Features:Region 1Keep CaseFull Frame - 1.33
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In Todd Phillips' OLD SCHOOL, Mitch (Luke Wilson), a thirtysomething businessman, has found himself living a boring, mundane lifestyle. Unfortunately for him, his girlfriend, Heidi (Juliette Lewis), has been getting more adventurous on her own, by throwing wild sex parties while he's away. When Mitch catches her in the act, he moves out and takes up residence in a house close to the local university. This prompts his buddies--the newly married Frank (Will Ferrell) and Beanie (Vince Vaughn), a jaded husband, father, and stereo-store tycoon--to throw Mitch a huge party in honor of his renewed single status. Antics at the party lead to the formation of a makeshift fraternity where age and academics don't matter, and Mitch is the reluctant godfather. But when the university's scheming dean (Jeremy Piven) catches wind of the new fraternity, he becomes determined to stop their fun. Will the boys overcome the dean's sinister plans? Will Mitch find love again? Will Frank please stop running around naked? And, hey, isn't that the cute girl who plays Jack Bauer's daughter on the TV series 24? These questions--and many more--are answered in the giddily fun and unabashedly immature OLD SCHOOL.DVD Features:Region 1Keep CasePan& Scan - 1.33Audio: Dolby Digital 5.1 - English Dolby Digital 5.1 - French Dolby Surround - EnglishAdditional Release Material: Deleted Scenes Audio Commentary - 1. Todd Phillips - Director, Luke Wilson, Will Ferrell, and Vince Vaughn - Stars Bonus Short - 1. Inside the Actors Studio Skit










2. Academy Campaign TV Spoofs Featurette - 1. OLD SCHOOL ORIENTATIONInteractive Features: Scene Access Interactive MenusText/Photo Galleries: Stills/Photos Production Notes Biographies
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DING A LING LESS
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It's possible that the legendary scene in which Marilyn Monroe's dress is blown skyward while she stands on a subway grating now dwarfs Billy Wilder's adaptation of George Axelrod's hit stage comedy in the same way that the 50-foot billboard of the scene bestrode Times Square in 1955.
It stars Tom Ewell as Richard Sherman, a middle-aged book publisher who remains in Manhattan while his wife and son go off the
country on vacation. Once alone, he's consumed with sexual fantasies about various women from his past as well as the eye-popping model/actress (Marilyn Monroe), who's just moved into the apartment above. Hoping for some action, he invites his neighbor to dinner, but the combination of his amusingly nervous bumbling and her belief in the innocence of his intentions guarantees that nothing happens. Despite his guiltlessness, he begins to imagine that his fantasies are being broadcast nationwide, with his wife part of an eager audience.
In his parody of film romance, Wilder hilariously skewers several, including HERE TO ETERNITY and his particular bete noire BRIEF ENCOUNTER, even
having the hapless businessman fantasize about
the latter's theme as an aphrodisiac. Although censors exised the play's raison d'etre of adultery, Ewell brilliantly manages the tricky feat of making a man seem risibly guilty despite having done nothing, and Monroe as the iconic'girl' deftly parodies her screen image.
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